ITV1 personality, Mark Lipscomb, gave a warm welcome to the awards and was
full of admiration for the standard of work seen at the festival. A good
friend of the Cotswold Festival, Mark has presented the awards several times
and makes each recipient feel special. The mellow tones of Clive Blackmore,
Festival Chairman, announced each winner. |
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| Mark Lipscomb and Clive Blackmore prepare to announce and present
the festival awards. |
Guest presenter, Mark Lipscomb, praising the dedication and hard work
of Lee Prescott. |
Stuart Taylor receiving the prize for Our Environment is
Important. |
Clive and Mark are a smooth double-act with Lee Prescott in the background
handing them the relevant trophies. Mark made a special point of thanking
Lee for all that he has done over nine years of festival. (At that point
Lee had not announced his retirement.) Then the parade of winners began to
make their way up the steep steps to the stage. Youngsters from St. Michaels
School Steventon made Our Environment is Important under the
guidance of substitute teacher, Stuart Taylor, who received the award. |
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Michael Gough collects the
Best of British Award on behalf of
David Whitworth for Splendid
People. |
Anthony Sutcliffe receives third prize
in the "open" category for
The Razorhead. |
Lee Prescott presented a retirement
clock to Jan and Dave Watterson for
their support of the festival. |
David Whitworth whose film about women who worked on the canals in WWII,
Splendid People could not be present but Michael Gough from
the same region collected his prize. Anthony Sutcliffe's film of an amazing
haircut, The Razorhead, raised gasps and laughs from the audience.
Lee Prescott stepped in to make a special award to the Wattersons for their
support of the festival as judges and webmaster. |
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Mark with Lana Tannir who
won the Best Student Film
prize for Crimson. |
Robin Whenary receiving
the Jessops Award for excellent videography for
Seeing. |
Barney and Lucy Heyood receive the Best Sound award for Back
in Ten. |
A welcome surprise at the festival was that school student, Lana Tannir,
and her mother arrived from Munich "just for the day as Lana has homework
to finish!" Lana, who shot Crimson with friends, wants
to go into the film business and watched every detail of the winning films
closely. Robin Whenary's thoughtful film Seeing was a fine
example of observation - a film which makes us use our eyes. Brother and
sister, Barney and Lucy Heywood, made Back in Ten about an
encounter between a bright small boy and an old man channelling the spirit
of Janis Joplin. It presented one of those magic moments, when we learn something
which may guide the rest of our lives - in this case to choose your own way
and seize the day. |
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Linda Gough collects the
Best Editing award on behalf
of Trevor Ermel for
Impressions of Paris. |
Dave Watterson collects the
second prize and PSA Gold Medal
on behalf of Ernst Auhuber for
Mosel Gold. |
Jan Watterson collects the third prize for Bernhard Hausberger for
Oldiegarage. |
Naturally with an international entry not all winners could attend. Some
major awards were received on behalf of the winners. Linda Gough from the
North East collected Trevor Ermel's prize for his fast-paced set of glimpses
of Paris. Dave and Jan Watterson are regular visitors to a major Austrian
festival and accepted awards on behalf of two film makers from the Tyrol.
Ernst Auhuber's study of vineyards contrasted with Bernhard Hausberger's
documentary about Manni, who was born without legs and now runs his own garage
for vintage Porsches. |
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Chris Wheatley receives the
"open" category first prize for
Get It Right . |
Doug Collender receiving
the award for
Keep Your Hands on Your Knees. |
Phil Martin receiving his award for
In the National Interest
as Overall Best Film of the festival. |
Chris Wheatley - won the "open" category with a music video, Get It
Right, (see it
here)
a music video made for a singer let down by her previous management and something
of a contrast with the tourist videos with which he made his name. Doug Collender
took second prize in the "open" category. Though this category is mainly
used by professionals, it allows slightly longer films and so Doug, one of
Newcastle's best known amateur film makers entered as such. Keep Your
Hands on Your Knees is a history of the Boy Scout / Ralph Reader
Gang Shows in Newcastle filled with young performers singing and dancing.
Phil Martin received huge applause for In The National Interest
a dramatised documentary showing a meeting of Britain's WWII Joint Intelligence
Committee hearing first hand from a Polish resistance worker about the death
camp at Auschwitz and deciding the "evidence was unacceptable." It is quite
a change from the charming one-minute romantic tale I Just Knew
with which he took the top amateur award in 2004.
After the awards had been presented, Lee Prescott announced his retirement
... report. |